Poet Heather McHugh mines words for contradictions and double meanings, offering the reader an expansive, fresh perspective on themes like love and mortality.
McHugh was recently rewarded a MacArthur fellowship for her efforts. The so-called genius grant comes with a $500,000 honorarium, which, the poet says, she will use to pay more attention to her work.
"I need to get back to my own work," McHugh tells Robert Siegel. "I've been teaching for 33 years, and to learn to teach has been to learn to pay attention to the work of others. And I've been doing that pretty ardently yea these many years, now and again taking a leave of absence."
McHugh says she looks forward to spending time exploring new aspects of her writing: "There are experiments I've always wanted to do and haven't had the leisure to do. ... I'm really interested in looking at letter formations almost as matter — and also addressing sound as matter."
She traces her fascination with vocal sounds back to her youth, when she and her sister would speak very slowly to each other, "until the grains of our voices were like gravel."
"I love the thought of slowing down speech or speeding it up, and studying verbal matter that way," says McHugh.
As excited and surprised as she was to receive the grant, McHugh says she was also concerned about the possible exposure the grant could cause. "I was worried when I heard about this prize ... partly because, as Gen. Stilwell said, 'The higher a monkey climbs, the more you see of his behind.' "