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In January 2018, the Hungarian State Opera in Budapest was widely criticized for staging the George Gershwin opera 

 — whose story wrestles with racism, drug abuse and poverty — with a predominantly white cast, despite the fact that the Gershwin estate requires performances to feature an all-black cast.
Now, the Hungarian production is back for another series of performances of 

 this month — and its nearly all-white cast was reportedly asked to sign testimonials saying that they were African-American.
The Hungarian news website 

 said that it had obtained the statement, and published it last Friday. According to Index, it reads: "African-American origin and consciousness are an integral part of my identity. That's why I am especially pleased to be able to play George Gershwin's 

 that a majority of the cast — 15 out 28 performers— signed the statement.


The request for such an affidavit was allegedly made by the company's general director, Szilveszter Ókovács.


The 1935 opera was a collaboration between three white creators, with music by George Gershwin and a libretto by Ira Gershwin and novelist DuBose Heyward (who had written the 1925 novel 

, from which the opera was adapted). It was created for black performers — and when it licenses the work, the Gershwin estate specifically stipulates that any performances feature an all-black cast. (According to Hungarian media, the performers are reportedly using photocopied music.)
The performances in Budapest, which continue through next Wednesday night, bear a 

 of sorts on the opera company's website and in the venue: "The manner in which this production of Porgy and Bess is being produced is unauthorized and is contrary to the requirements for the presentation of the work."
Index approached Ókovács about the race affidavit. He responded with a lengthy set of questions of his own, including: "What is the color of all black cast on the Pantone scale? One [

] of Barack Obama's grandparents was 'white': would he think he would be right in 

? Can you do that at all? ... George Gershwin, [from] a Ukrainian Jewish family migrating to America, would not be allowed on the stage of his own work because of his skin color and / or origin and with reference to him. Do you find this okay? ... Do you not think that this whole rotten and odorous provision should be ignored by all opera houses?"


For the Hungarian production, director András Almási-Tóth moved the opera's setting to an airplane hangar, with the characters shifted to be refugees from an unnamed place and crisis.


"This piece [has] almost disappeared from the world of opera for the well-known legal restrictions," Almási-Tóth said in a 

 for the production posted in January 2018. "Now we will have a sort of non-replica production, as we do not need to have an all-black cast." On the Hungarian opera company's website, there is a small section marked "The critics respond," with a quote from a 

 Hungarian reviewer, who argues, in essence, that 

 is too important — and, oddly, "melodious" — to have its performances restricted to black artists.
In New York, the Metropolitan Opera will 

 its 2019-20 season in September with a new production of 

-- the work's first presentation at the house in almost three decades. The Met is hiring an all-black chorus for the 

 includes six black singers out of about 81 total. "Certainly it's more complicated, but it's worth the complications because it's such a great piece," Met general manager Peter Gelb told the AP. There's a complex history there, too: George Gershwin 

 in 1935, because the New York company wanted to use its white chorus singers performing in blackface. Instead, the work premiered in Boston before moving to Broadway.
Last June, the Hungarian State Opera 

, the musical about a young boy growing up in an English coal-mining community who dreams of becoming a ballet dancer. Just before the show was scheduled to start its run, an article in the conservative newspaper 

 the show "pointed and unrestrained gay propaganda."
The paper is aligned with the government of the country's nationalist, 

 prime minister Viktor Orban; according to the 

, the same newspaper has published attacks against a variety of "liberal, globalist and cosmopolitan ideas" that it says is encoded in a variety of Hungarian media platforms and institutions, including the Hungarian Academy of Sciences and the official state news agency. The 

Arts and Culture

Music

Social Issues

Anastasia Tsioulcas

Author

The Gershwin estate stipulates that "Porgy and Bess" should be performed by an all-black cast. The Hungarian State Opera in Budapest reportedly asked its mostly white cast to say that they are black.

White singers in Hungary claim to be African-American, for an opera

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