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“Emilia Pérez” is a French film set in Mexico, shot largely on soundstages in France, blending elements of noir, musicals and occasional winking comedy.

The story follows a Mexican cartel boss (Karla Sofía Gascón) who transitions to living as a woman, with Zoe Saldaña playing the lawyer who helps her navigate the dangerous logistics of the operation and its aftermath. 

Gascón, a trans actress, brings authenticity to a role treated with sincerity and compassion, while the film’s humor adds a cheeky charm.

The musical elements, though sporadic, are striking, showcasing Saldaña’s dance and theater background. Highlights include an operatic sing-talking style and a gun-loading choreography sequence, though the integration of music could have been more consistent. 

This is an interesting moment for offbeat musicals (compare with 2021’s “Annette,” in which Adam Driver has a puppet as a child). Hopefully, as they mature they will get a firmer grasp on what makes musicals so powerful.

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Cube Critics Alex V. Cipolle and Max Sparber discuss a film about a Mexican cartel boss going through an interesting transition.

Cube Critics discuss ‘Emilia Pérez’

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