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,” her wildly successful 2018 novel,  Tayari Jones signed a contract for her next book to be about a woman grappling with gentrification in modern Atlanta. 

She tried to write that story. But it wasn’t doing that “magical thing that lets you know you have art,” she says on this week’s Big Books and Bold Ideas. “It was a good idea. But the book wasn’t booking, as my students say.”

And then 2020 happened. A million Americans died from COVID, including some of Jones’ friends. Then George Floyd was murdered. Protests rocked the country. Jones started to wonder if writing a novel even mattered. And then she got sick with an autoimmune disorder. 

She started to write again just to soothe herself.

The new story “kept me company the same way reading a book may keep someone company,” she tells host Kerri Miller. “I loved [main characters] Annie and Niecy. I was eager to see what would become of them. I was delighted with the minor characters. I enjoyed visiting with them — asking them the questions of their heart. And asking the same questions of my own heart.” 

,” Jones newest novel, and by all accounts, this story is doing that “magical thing” that good books do. It’s already an 

Jones talks about all of this and more with Miller — including the power of female friends and the grief of family lost and found — on this week’s Big Books and Bold Ideas. 

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Tayari Jones thought she was writing a book about the changing face of Atlanta. Instead, her new novel, “Kin” is an ode to the transformational power of female friendship. 

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Tayari Jones on female friendships, divergent bonds and 'Kin'

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