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 is a gem of idiomatic dialogue. Every character has a unique voice and every conversation is a polyrhythmic marvel of New York accents. Part Martin Scorsese's 

is a funny, gritty, touching narrative about the strength of three New York women caught in a world of abusive men, broken families, and mob violence.


Rena Ruggiero is a mob widow. She lives alone and rarely interacts with her neighbors. That changes when her 80-year-old neighbor Enzio shows up and propositions her. She feels sorry for the old man, so she ignores her apprehension and agrees to have a cookie at his place. Enzio shows her a pornographic movie and touches her. Twice. Scared and angry, Rena hits him in the head with an ashtray. Enzio crumbles, splitting his head open against the table on his way down. Rena thinks she killed him. She panics, steals Enzio's '62 Impala, and flees to her estranged daughter's home in the Bronx. She wants help and to reconnect with her daughter and granddaughter, Lucia, but her daughter turns her away at the door.

Their neighbor, Lacey "Wolfie" Wolfstein, a retired porn star and radio personality living off the money she swindled from various men in Florida, takes Rena in, and they quickly become friends. Then Lucia joins them, fleeing her mother's entanglement with the mob. Soon there are bodies on the floor and Rena, Lucia, and Lacey are on the run, escaping the mob and their own pasts with a gun and half a million dollars in the trunk.

, Boyle has written a mafia narrative focusing on the women at the periphery instead of the men at the core. He's also borrowed the Final Girl trope from horror fiction and subverted it, creating not scream queens but determined survivors. Rena, Lucia and Lacey are hustlers, not victims, and to be a hustler "is to be free of some agony that regular folks seem to hold on to. Hustlers know the quick demise, failure no stopping force. You have to hustle through failure." That's what these women have always done, and they don't stop just because a couple of killers end up chasing them out of comfort and into the unknown.


Boyle has a knack for violence and telegrammatic prose. He uses dialogue to tell the stories of his characters and push the action forward, and when no one's talking, his writing is fast and sharp, with a touch of literary flair:

is a rarity; a fresh novel about New York's underbelly. Crime writers have tackled this city for decades, but Boyle brings something new to the table: An unashamed appreciation for the way the city's past affects its present and shapes its future. For example, Enzio, a secondary character, remembers the best moments of his life, and they all take place in New York:


Crime fiction usually stays within the confines of the genre, but Boyle breaks away from those restrictions. This is a crime novel, but also a madcap road trip narrative, a story about friendship, an ode to New York, and a look at the importance of reinventing yourself. There is plenty of death and violence here, but also hope and redemption, making for a memorable, satisfying read.

Gabino Iglesias is an author, book reviewer and professor living in Austin, Texas. Find him on Twitter at

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Gabino Iglesias

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William Boyle's new novel follows mob widow Rena, her granddaughter and an ex-porn-star neighbor, on the run from a crazed mafia enforcer in -- what else? -- a 1962 Chevy Impala.

'A Friend is a Gift' for crime novel fans

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