Art Hounds: Get in the Halloween spirit

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what’s exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. 

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Not your kids’ Halloween play 

Actor Julie Ann Nevill of St Paul is looking forward to getting into the Halloween spirit when the play “Broomstick” opens Thursday at the Open Eye Theatre in Minneapolis. The one-woman play features Cheryl Willis as a witch telling the story of her long life. The show is recommended for ages 14 and up. It runs through Halloween night, with a mask-required performance Sunday. 

Julie Ann says: “It is billed as both a spooky and hilarious comedy. I am very intrigued by that. So many things around Halloween become kid-centric, and there are many of us adults, myself included, for whom this is our favorite holiday. And so we want something like this that speaks to us and not just to, you know, the small children or the family situation.” 

“The Open Eye space is so very intimate. And for a one-person show, I think that really gives you a chance to connect with the artist that you’re watching. Joel Sass is a wonderful director. Cheryl Willis is an amazing actor who is so intriguing and sucks you in and really connects with audience members.” 

— Julie Ann Nevill

Commonweal stages ‘Doubt’

Delia Bell, a potter in Lanesboro, recommends seeing the play “Doubt: A Parable” at the Commonweal Theatre. The play won a 2005 Pulitzer Prize and a Tony Award for Best Play. Performed by a local cast, the show explores both fact and faith, and Delia says it leaves the audience questioning. The play runs through Nov. 10. 

Delia explains: “I felt like I was thinking about it for days after. ‘Doubt’ is a story about two sisters, two nuns at a school, and a priest. They suspect that he’s done something inappropriate with one of the students. And so that’s how it stems: it’s this story of which side do you believe? And this nun is adamant about this, and the priest is adamant that he is innocent. It just creates doubt within the viewer. That’s the whole point; the story is never truly resolved.” 

As for the production, “It’s a simple set. There’s a huge window that’s very striking. And with the music, you really felt like you were in a church at times. It was just what the story needed.” 

— Delia Bell