Art Hounds recommend Theatre Du Mississippi’s One Act Play Festival, “Reflections and Conversations: Monica Rudquist and Jerry Rudquist” and the exhibit “Sund: Notes from the Sea.”
The Playwrights’ Center of Minneapolis has rejected a $35,000 grant from the National Endowment for the Arts due to new federal restrictions barring grant recipients from promoting diversity, equity, inclusion and gender ideology, joining a growing number of arts organizations nationwide in condemning the policy.
Minnesota Opera’s adaptation of “The Snowy Day” stays true to author Ezra Jack Keats’ simple yet groundbreaking children’s book, preserving its vivid textures and colors while adding playful music and small expansions to the story, resulting in a brief but warmhearted production.
Musician Terrell X’avion, an improvisational jazz beatboxer and storyteller, brings his deeply personal album “Transformation to Terrell X” to the MacPhail Center for Music, blending rhythm, lyricism and interactive performance.
Michael Brindisi directed 130 productions during his 37-year tenure, shaping the Twin Cities theater scene with his infectious enthusiasm, deep respect for actors and unwavering commitment to storytelling.
Artist Nia-Symonne Gayle’s immersive installation “GOOD Hair” at Augsburg University’s Christensen Gallery recreates her childhood living room, paying homage to Black hair culture and the traditions of care and community.
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