The steel sculpture “Prometheus III” at Franconia Sculpture Park was dismantled and sold for scrap. Artist John Hock, a founder and former director of the Park, says he wasn’t warned.
“The New Eagle Creek Saloon,” an art installation at the Walker Art Center in Minneapolis, reimagines the first Black-owned gay bar in San Francisco, Calif., blending art with social and historical themes.
The Basilica Block Party, returning after a five-year hiatus, has announced its lineup with the Goo Goo Dolls and Counting Crows headlining, alongside a mix of national and local acts.
The Office and Professional Employees International Union (OPEIU) Local 12 at the Minneapolis Institute of Art has issued a vote of no confidence in Director Katherine Crawford Luber.
Cube Critics discuss a quirky Ethan Coen film, “Drive-Away Dolls” and a unique adaptation of “Mr. and Mrs. Smith” as a series; plus, performer Bill Irwin’s deep dive into Samuel Beckett’s legacy, connecting vaudeville to the playwright’s profound influence.
“American Ledger no. 1” is based on a visual score by Raven Chacon that tells the story of America using unconventional instruments including chopping wood and lighting matches.
“Do Not Forget Us:” Poets, Writers and Musicians Against the War(s), Cheryl LeClaire-Sommers' exhibit “Scents to Scenes” and Gilbert and Sullivan’s “Utopia, Limited; or, The Flowers of Progress.”
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