The throughline this week isn’t just performance, it’s transformation — artists moving across forms, histories surfacing in new contexts, and institutions quietly reshaping what they contain.
Art Hounds recommend the performances “Hungry Like the Wolf" and “The Yeoman of the Guard, Or The Merry and His Maid,” and the exhibit “Minnesota Neighbors.”
Twin Cities theaters are losing key funding sources—from canceled grants to new federal restrictions — forcing organizations like the Playwrights’ Center and Jungle Theater to rethink how they operate and sustain their work.
Across Minnesota this week, the arts appear in some unlikely settings — a restored North Woods movie palace, neighborhood churches, a Duluth theater and a club leaning into pre–St. Patrick’s Day energy.
Early March brings a mix of international cinema, historical reflection and theater that asks pointed questions about power and perspective. From Cuban film and German modernism to puppeted insects and taiko drumming, this week’s lineup moves across forms and cultures — and repeatedly returns to the question of who gets to tell the story.
A new short film by Minneapolis filmmaker Yasmin Yassin follows two Somali American sisters running a social-media matchmaking business as they move through Lake Street, exploring friendship, femininity and the in-between world of first-generation Somali life.
A new operetta at Minneapolis’ Open Eye Theatre reimagines the life and poetry of Pulitzer Prize–winning University of Minnesota professor John Berryman through a dreamlike staging that explores the writer’s inner world.
Art Hounds recommend “Our What Ifs Became Real Life,” “Monsters Not Monoliths! A DnD Actual Play” and the grand opening this weekend of the Lowry Hill Gallery.
Minneapolis comedians are responding to ICE’s presence in Minnesota by “punching up” through political comedy and fundraising roasts that channel fear and anger into community support, even as the immediate enforcement surge begins to recede.
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