This week’s lineup leans less on spectacle than on structure—who gets to speak, who gets recorded and how stories move through time. Across stages, galleries and even Wikipedia pages, these events track the systems that shape cultural memory, from youth authorship to institutional visibility.
A Minneapolis artist collected strangers’ dreams through a call-in line, turning late-night voicemails into a zine that unexpectedly deepened her sense of connection to the city.
Victor Van, a prolific Interact artist known for his dense, pop-culture-infused handmade books, has achieved a major breakthrough with the Walker Art Center acquiring his work, marking an historic first for the organization.
The throughline this week isn’t just performance, it’s transformation — artists moving across forms, histories surfacing in new contexts, and institutions quietly reshaping what they contain.
Art Hounds recommend the performances “Hungry Like the Wolf" and “The Yeoman of the Guard, Or The Merry and His Maid,” and the exhibit “Minnesota Neighbors.”
Twin Cities theaters are losing key funding sources—from canceled grants to new federal restrictions — forcing organizations like the Playwrights’ Center and Jungle Theater to rethink how they operate and sustain their work.
Across Minnesota this week, the arts appear in some unlikely settings — a restored North Woods movie palace, neighborhood churches, a Duluth theater and a club leaning into pre–St. Patrick’s Day energy.
Early March brings a mix of international cinema, historical reflection and theater that asks pointed questions about power and perspective. From Cuban film and German modernism to puppeted insects and taiko drumming, this week’s lineup moves across forms and cultures — and repeatedly returns to the question of who gets to tell the story.
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