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Margaret Atwood, Salman Rushdie headline 2019 Booker Prize shortlist
Atwood made the list for her sequel to The Handmaid's Tale, and Rushdie for his reimagining of Don Quixote. Chigozie Obioma, Elif Shafak, Lucy Ellmann and Bernardine Evaristo round out the finalists.
Structural injustice is at the core of 'We, The Survivors'
Tash Aw's beautifully written new novel focuses on class issues in contemporary Malaysia, where his compelling protagonist is struggling to lead a quiet life after a long-ago murder conviction.
'Just Ask!' says Sonia Sotomayor. She knows what it's like to feel different
We're all different and that's good, says the U.S. Supreme Court justice. Her new children's book about embracing diversity portrays kids of all abilities working together to create a gorgeous garden.
In 'The Ventriloquists,' the true story of a fake newspaper
E.R. Ramzipoor's novel tells the story a group of resisters in Belgium during World War II who lampooned the Nazis by putting out a satirical edition of the newspaper Le Soir, then a Nazi mouthpiece.
'Palestine + 100' explores contested territory, past and future
A new anthology invites Palestinian writers to imagine their homeland in 2048 — 100 years after the creation of Israel. The stories are inventive, dextrous, painful, and even sometimes playful.
If you love Octavia Butler, Colson Whitehead and Toni Morrison
Bookseller Nialle Sylvan says that Rivers Solomon’s novel earns comparisons to some of the biggest names in literature.
Coming to terms with loss and grief in the gorgeous 'Everything Inside'
Edwidge Danticat's new story collection explores the ways people deal with death, from a woman whose barely known father is dying to a man facing his last seconds as he falls from a construction site.
Telepathy and surveillance converge in 'Overthrow'
Caleb Crain's perceptive novel examines the ways we're all under surveillance by corporations and computers, every move and click tracked, and the ways that intersects with how we watch each other.
'The Warehouse' is scary because it's plausible
Rob Hart's new dystopian cyberthriller imagines a near-future America in a state of semi-collapse, where the only jobs available are in company towns built by an enormous conglomerate called Cloud.